Neil Drabble’s pictures embrace the beauty and complexity lurking in the flux of the everyday, and the polyphony of meaning embedded in the singular moment. The pictures reveal the absurd beauty of the quotidian and the quiet resonance of the seemingly mundane. In a time when photography often seeks to confront, provoke, or document the extraordinary, there is a quiet sophistication in turning our gaze toward beauty as a subject in itself. Beauty, in all its nuance, remains an essential and relevant pursuit, challenging us to consider not only what is seen, but how it is seen—urging us to reconsider the familiar, to find resonance in subtle and ephemeral gestures. Engaging with beauty is not a retreat from complexity, but rather an embrace of the layered emotions and intricate meanings that can arise from the simplest of moments. It is this quiet sophistication—this ability to extract meaning from the everyday—that speaks to the enduring power of photography as an art form. Some Pictures explores how beauty, as a refined and timeless subject, continues to expand our understanding of the world and ourselves.

The pictures celebrate the photographic medium and the subtle play between chaos and harmony resolved in the fleeting moment of composition - echoing the sentiments of Robert Adams who suggested that ‘art is a discovery of harmony, a vision of disparities reconciled, or shape beneath confusion’.

The unbound format of the publication reinforces the loose connection between the individual images that are bound by a shared sensibility whilst being drawn from disparate bodies of work and archives