• Everyone presenting work must attend the full session from noon to 17.00.
• Each photographer is allocated an individual table where you can present your form in physical/digital form for feedback. (Please, no framed work.)
• Book one space per photographer. (However, if there are two people presenting a joint project, book one space only.)
• Only book if you're ready to share your work.
• Please don't book for someone else.
• We will contact you ahead of the session to find out what format you're presenting in and other information.
• If you have presented at Folio Friday in the past three years, please leave the space for another photographer or artist as there are limited spaces each month.

• Think about what you want to get out of the afternoon and be prepared to articulate this to people, eg. specific or general feedback, sales, etc;
• Bring along business or postcards with your contact details or website;
• Do use social media to alert people ahead of, or during, your session;
• Keep in mind that The Photographers’ Gallery’s audiences come from a wide range of backgrounds - from photography specialists to people with a more general interest and enthusiasm.
• You will be emailed to confirm your participation around one week in advance of the session. (Please check your junk mail.) At this point, we can answer any questions you have.

Art historian and photography curator, Sarah Brown, has overseen Linda McCartney’s photography archive for the past 8 years. Sarah is also the Photographic Editor for Paul McCartney’s production company, most recently co-curating Paul McCartney’s photography exhibition Eyes of the Storm at London’s National Portrait Gallery. Sarah has curated exhibitions across eight different countries and has written on photography for a variety of exhibition catalogues, as well as the Brooklyn Rail and was co-Editor of the Taschen book Linda McCartney: The Polaroid Diaries. Prior to starting at the Linda McCartney Archive, Sarah worked at the British Vogue Archive and for photographer Lord Snowdon. She also holds a master’s in Art History from the Courtauld Institute of Art and sits on the board of Stills: Centre for Photography, Edinburgh.

Professor Steve Macleod is a polymath creative who dedicates unbounded enthusiasm for the arts and education. Director at Metro Imaging, one of Europe’s leading production houses; inventor of several photographic processes and master printer; Visiting Professor at University of Suffolk; current EA at RGU, Aberdeen; Trustee and Deputy Chair of QEST (Queen Elizabeth Scholarship Trust); commissioned artist with Hospital Rooms Mental Health Arts charity; educational mentor and represented artist with Black Box Projects in London.